Thursday October 10
9:00 Registration (Building L, main entrance)
9:15 Opening of the conference by Raymonde Séchet, Deputy Vice-Chancellor (Research), Françoise Dubosquet, Head of the Faculty of Languages, and Renée Dickason, Head of the Research Unit ACE
9:30 Workshops
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Workshop A (L141)
Class relationships in American films
Chair: Richard Butsch
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Workshop B (L3)
The British working class on screen
Chair: Jonathan Bignell
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9:30
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LETORT Delphine (Maine – Le Mans)
Race and Class in Land of Opportunity (Luisa Dantas, 2010-2011)
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CLOAREC Nicole (Rennes 1)
In praise of the working poor: archeology of class struggle through the arts of representation in Comrades (Bill Douglas, 1987) and The Fool (Christine Edzard, 1990)
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10:00
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MAGUIRE Lori (Paris 12)
From The Goldbergs to All in the Family: Social class in American sitcoms from the 1950s to the 1970s
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ZALMANOVICH Tal (Rutgers Univ, US)
“The Great Unwashed! That’s what we Are, Mate:” Class and Social Mobility in Postwar Sitcoms
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10:30
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DELAPORTE Chloé (Paris 3)
Les rapports de classe comme marqueurs génériques dans les fictions états-uniennes
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LEWIS Carys (Caen)
“Giz a job! I can do that!”: The Unmaking of the British Working Class in Alan Bleasdale’s Boys from the Blackstuff (1982)
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11:00 Coffee break
11:15-12:15 Keynote speech. Chairs: Nicole Cloarec & David Haigron (L3)
EVERETT Wendy (Bath): “Ken Loach and the geographies of class”
12:30 Lunch at Le Métronome
14:00 Workshops
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Workshop A (L141)
Class & Gender in American films
Chair: Stephen Pimpare
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Workshop B (L3)
Class and ethnic minorities in British films
Chair: Isabelle Le Corff
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14:00
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BARON Ava (Rider Univ, US)
Vanishing Act in Television Dramas: How the Sexualization of Work Made Class Disappear
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HILLEN Sabine (Antwerp)
Working class in the 7UP documentaries
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14:30
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STARFIELD Penny (Caen)
Striking women: Salt of the Earth, Norma Rae and Bread and Roses
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BILLI Manuel (Paris 3)
L’espace socioculturel de l’autre : Minorités ethniques et classes sociales dans le cinéma anglais des années 1990 et 2000.
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15:00
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KENNEDY Ann (Univ of Maine-Farmington, US)
U.S. Feminism and the Class Politics of Social Realism in The Wire
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CHICK-MACLEOD Kristine (Toulouse)
Exploring social boundaries in British Cinema 2001-2012
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15:45 Journey to the French-American Institute (7, Quai Châteaubriand)
16:30 Coffee & tea
17:00 Keynote speeches at the Institute
Chairs: Liliane Kerjan & Delphine Letort
BUTSCH Richard (Rider Univ, US): “the persistent contrast of working class to middle class males through 60 years of television situation comedies with a comparison of TV representations to those of radio”
MARTIN Michael T. (Indiana Univ, US): “Locating Class in the African American Cinematographic Archive”
Conference dinner at La Taverne de la Marine (2, place de Bretagne)
Friday October 11
9:30 Workshops
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Workshop A (L141)
Class and Crime
Chair: Michael T. Martin
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Workshop B (L3)
British state-of-the-nation through social classes
Chair: Gaïd Girard
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9:30
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CAVITCH Max (Univ Pennsylvania, US)
Class and the Long Kill in Gus Van Sant's Gerry
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MARIN-LAMELLET Anne-Lise (Université Jean Monnet – Saint Etienne)
La grève à l’écran : La représentation des conflits sociaux dans le cinéma britannique de 1956 à nos jours
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10:00
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MASSONNAT François (Villanova Univ, US)
Class, Crime and The Long Take in Prime Suspect
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TREMBLAY Gabrielle (Paris 3)
Un reflet critique de l'Angleterre populaire du début des années 1980: This is England (2006) de Shane Meadows
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10:30
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PIMPARE Stephen (Columbia/ City University of New York)
Evils of the City: Images of the American Ghetto on Film
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DUCRAY Amandine (Paris Ouest Nanterre La Défense)
Whatever happened to the working class sitcom? Représentations sociales, mutations et transferts d'un genre télévisuel dans le nouveau millénaire
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11:00 Coffee break
11:15-12h15 Keynote speech. Chairs: Penny Starfield & David Haigron (L3)
BIGNELL Jonathan (Univ Reading, UK): "Authenticity and performance of class in British factual TV series"
12:30 Lunch at Le Métronome
14:00 Workshops
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Workshop A (L141)
Kitsch and social classes
Chair: Renée Dickason
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Workshop B (L3)
Social contrasts in British films
Chair: Wendy Everett
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14:00
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Presentation cancelled
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WACOGNE Emilie (Lyon) – presentation of her PhD research
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14:15
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SOUQUET Lionel (UBO)
Kitsch, classes sociales et multiculturalité dans My Beautiful Laundrette (1985)de Stephen Frears
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FLINT-NICOL Katerina (Univ Kent)
Horrising the Hoodie: Underclass and urban terror in the British Hoodie Horror
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14:45
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LE CORFF Isabelle (UBO)
Classes sociales et esthétique du Kitsch dans les comédies irlandaises des années 1990 et 2000
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GIRARD Gaïd (UBO)
Les contre-starlettes d'Andrea Arnold : Wasp (2003) et Fishtank (2009)
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15:15
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EGERT Charles (LASCO Paris Descartes/ Mines-Telecom)
Class, illusion and kitsch in American Beauty
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MILLOT Agnès (Reims)
Domination et soumission dans le monde secret des Public Schools
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15:45
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ROBLIN Isabelle (ULCO)
From the marble palaces of I, Claudius (1976) to the mean streets of Rome (2005): the rise of the common man in the historical drama television series
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LEMONNIER-TEXIER Delphine (Rennes 2)
Esthétique de la verticalité et mise en perspective de l'identité sociale féminine dans Upstairs Downstairs (1971 et 2010)
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16:30 End of the conference
